77% of Aspiring DJs Lack Industry Connections—Beatport and Miller's Ambitious Series Is Throwing a Lifeline

It’s easy to feel lost in a sea of aspiring DJs these days—but unrecognized doesn’t have to mean unheard.

That’s the core tenet of “Miller Mix,” a new initiative launched by the iconic Miller brewing company in collaboration with Beatport, who are working to cultivate the global electronic dance music community under an ambitious contest and event series.

“Industry connections,” that elusive phrase, seems like an insurmountable wall for countless DJs. After all, it’s 2024, a time when gifted artists toil in obscurity while major labels sign record deals with non-musician TikTok creators who have only used microphones to seek out men in finance.

77% of emerging creatives cite a “lack of industry connections” as a major barrier to entry into the music industry, according to a study from Youth Music. The stage lights are calling, but the path seems impossible.

The plight of the independent artist is embedded in the DNA of Beatport, who recently launched a first-of-its-kind playlist to spotlight promising dance music producers without access to the big-budget backing of a major label. By providing a platform for these hidden talents alongside Miller, they’re ensuring the future of EDM stays exciting, innovative and full of flavor—much like a perfectly chilled draft beer on a hot summer night.

“Empowering music producers and DJs worldwide has always been at the core of Beatport,” said Ed Hill, SVP of Beatport Media Services. “This collaboration with Miller will provide a nurturing space for talent to flourish, fostering connections and opportunities essential for success in today’s ever-evolving industry.”

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Initiatives like “Miller Mix” are vital for rave culture, disrupting the insular cycle of the same familiar acts that annually appear on the lineups of commercialized EDM festivals. A platform for the unheard to become the headliners, it’s a middle finger to the formulaic nature of the moth-eaten “DJ contest.”

For the winners of the inventive “Miller Mix” contest, it could prove a life-changing springboard for their careers. After DJs and producers submit their music, winners are selected by a panel comprising the tour’s headlining artists as well as members of the teams behind Miller Genuine Draft and Beatport’s curation arm. Votes from the community will also factor into the decision.

The winners will secure a coveted DJ set at one of six international events, joining influential electronic music acts like Giolì & Assia, Argy and Lilly Palmer. They’ll also receive a robust package, valued at €5,000, containing access to music production software and exclusive educational workshops in support of their career development.

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The “Miller Mix” tour spans six territories: Turkey, Georgia, Kazakhstan, Hungary, Australia and South Africa. Following each local event, Miller will launch a bespoke cultural docuseries “telling the unique stories of local artists and city residents.”

YOZÉ, a blossoming techno producer out of Istanbul, recently came out on top of the Turkish leg of the competition, a triumph she called “an incredible milestone in [her] journey.” She ultimately threw down a momentous hometown set at the Volkswagen Arena before Palmer, who in 2023 was named one of EDM.com‘s best music producers of the year.

“Creating a unique techno track out of the interesting samples we were given was my goal and I’m super happy that it led me to win the competition,” YOZÉ tells EDM.com. “This was a wonderful opportunity that has fueled my passion even more, and I hope it inspires other young artists like myself to pursue their dreams with determination and creativity. And never stop believing!”

“We were thrilled to kick off the first event of the Miller series,” Hill added. “Staying true to our core aim of supporting music producers and DJs, it was inspiring to see YOZÉ, the competition winner from Turkey, perform alongside the iconic artist Lily Palmer.”

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Reflecting on Istanbul’s club culture, Asena Hayal, a DJ and member of the Turkish dance music collective Noh Radio, said the scene has transformed immensely through the years.

“When I look at the club culture process in Istanbul from the past to now, I see that it has undergone constant transformation due to political and economic conditions,” she explains. “In geographies like Turkey, where oppression prevails, clubs emerge as platforms of solidarity. I see Istanbul’s underground club culture as a platform for people who have come together through music, who stand in solidarity with each other, who can express themselves collectively, and who can be themselves in safe spaces.”

“I am discussing this by excluding mainstream clubs. Particularly in the Beyoğlu area, spaces are opening up safe areas for groups marginalized and ostracized by society. Among these, we can mention the projects Noh Radio and Noh Extended, in which I am also involved. It is a space that shows sensitivity to this balance, not only for LGBT+ producers and DJs but also regarding their teams and beyond. I also find the relationship Noh Radio has established with the street important. It can be interpreted as a democratic space where individuals from different classes can come together and communicate. It’s important to have the support of the Miller/Beatport docuseries to highlight the stories from these spaces.”

You can keep a pulse on “Miller Mix” here.

Generative AI Music Programs Suno and Udio Sued by Major Labels

The recording industry is intensifying its fight against unauthorized, AI-generated music with lawsuits targeting two leading services, Suno and Udio.

Filed in separate U.S. district courts, the suits allege that the companies behind those programs have unlawfully exploited copyrighted sound recordings to train their AI-powered text-to-music models.

The Recording Industry Association of America (RIAA) has reportedly spearheaded the lawsuits, representing the big three major labels: Sony Music Entertainment, Universal Music Group and Warner Records. The complaints emphasize that Suno and Udio have copied vast amounts of sound recordings without obtaining proper permissions, thus violating fundamental copyright laws.

According to the complaints, AI-powered music generation services like Suno and Udio operate by ingesting massive datasets of popular music to create new outputs that mimic human sound recordings. This method, the lawsuits argue, not only infringes on copyright but also poses risks of flooding the market with AI-generated music, which could overshadow genuine works created by humans.

The lawsuits seek to achieve several goals: court declarations that the services have infringed on copyrighted works, injunctions to prevent future infringements and financial damages for past violations.

RIAA Chairman and CEO Mitch Glazier stressed that while the music community is open to collaborating with responsible AI developers, unlicensed services pose a significant threat to the integrity and value of human creativity.

“The music community has embraced AI and we are already partnering and collaborating with responsible developers to build sustainable AI tools centered on human creativity that put artists and songwriters in charge,” Glazier said in a statement. “But we can only succeed if developers are willing to work together with us. Unlicensed services like Suno and Udio that claim it’s ‘fair’ to copy an artist’s life’s work and exploit it for their own profit without consent or pay set back the promise of genuinely innovative AI for us all.”

Twitch Inks Landmark Music Licensing Deals for Livestreamed DJ Sets

Twitch has inked licensing deals with Universal Music Group, Warner Music Group, Sony Music and “hundreds” of independent music rightsholders enabling DJs to legally play copyrighted songs in their streams, the company announced this week.

The landmark agreements, which Twitch claims are the first of their kind, precipitated the “Twitch DJ Program,” which will pay royalties to the platform’s artists—but with a few caveats.

“This program is only applicable to those who live-stream as DJs, and does not apply to other uses of music,” Twitch CEO Dan Clancy said in a blog post. “DJs will need to opt-in to a new agreement that will apply to all streaming on their channel. For those who only stream DJ content part-time, we recommend creating a second standalone channel dedicated to DJ live-streaming.”

In order to “cover the cost of the music” played by DJs in their videos, Twitch will allocate a portion of their revenue to the record labels and artists behind the streamed music. In other words, DJs will have to cough up an unspecified percentage of their earnings to rightsholders. These costs will vary depending on “how a channel monetizes,” but for most streamers, Clancy says, Twitch will split them 50/50.

The platform experienced breakneck growth after its acquisition by Amazon for $970 million back in 2014, and its popularity erupted during the COVID-19 pandemic as DJs desperately turned to streaming to stay financially afloat. But Twitch found itself in hot water after issuing rampant DMCA takedown notices to legions of its users, who were unwittingly playing songs in their streams without the rights to do so by virtue of the company’s business model.

“DJs have been streaming on Twitch for some time now, but have been personally responsible for the challenges of tackling these issues, along with the risks of not doing so,” reads Clancy’s blog post. “Twitch has been able to mitigate these risks during ongoing negotiations with music companies, who have been willing to keep the status quo during our discussions.”

“It’s crucial that DJs understand the status quo on Twitch was not sustainable, and any viable future for the community required we find a solution,” he added.

Twitch CEO Dan Clancy.

Twitch

The new licensing deals not only legitimize Twitch as a veritable music hub, but also serve as a watershed moment for DJs. They can now freely select music and perform without legal ramifications, opening up new avenues for monetization and audience growth.

A late-2021 study by the music analytics firm Luminate suggested that Twitch is instrumental in fueling the discovery of electronic dance music and found that the platform’s users “are 84% more likely to listen to EDM than the average music listener.” Look no further than Crossmauz, a teenage Twitch creator who configured in his bedroom a rig of festival-grade lasers, strobe lights, speakers and even pyrotechnics to blast EDM during his gaming streams.

The number of DJs streaming on Twitch has more than quadrupled since 2020, according to Clancy, who said that “over 15,000 of them have been able to build and monetize communities of music fans” on the platform.

“We’re proud to be the first major service to provide a safe, permanent home for DJs, and we are excited to now be able to promote and support these creators as they build communities on our service and beyond,” he said.

You can can find out more about the “Twitch DJ Program” here.

Spotify Hits Replay on Price Hikes, Raises Subscription Rates for the Second Time in a Year

Just when you thought your monthly subscription was safe, Spotify has decided to raise prices—again. Starting next month, US subscribers will face higher fees for Premium, Duo and Family plans, marking the second increase within a year.

Beginning in July, Spotify Premium will cost $11.99 per month, up from the previous $10.99. Duo plans will rise by $2 to $16.99 per month and Family plans will see a $3 increase, bringing the total to $19.99 per month.

Spotify justified these increases by stating, “So that we can continue to invest in and innovate on our product features and bring users the best experience, we occasionally update our prices.”

The streaming giant is far from alone in this inflationary trend. Major competitors like Netflix, Hulu and Disney Plus have also raised their prices recently, leading many to question the future affordability of streaming services.

Likewise, for many artists, Spotify’s payment model remains a contentious issue. The platform pays royalties based on an artist’s share of overall streams, amounting to roughly $0.003 to $0.005 per play, not enough for the overwhelming majority of artists to sustain a living wage.

Ironically, the company’s announcement comes at a controversial time. Just days ago, Spotify CEO Daniel Ek faced backlash for a post on X claiming that the cost of creating content was “close to zero,” a statement widely lambasted by musicians who argued that producing quality music is far from free. Ek eventually backpedaled but is still facing a great deal of criticism.